The description is not the described; I can describe the mountain, but the description is not the mountain, and if you are caught up in the description, as most people are, then you will never see the mountain.
I like fragmentary writing, I seem to only be able to read fragments, feel fragments. And write fragments. (And live fragments.) The pieces naturally form a whole to me, the way minutes make up hours and hours make up days. Fragments flow, to me, in ways that unfragmented writings do not. They flow because they feel natural; yes, fragments feel natural, organic, uncomposed. A story well-composed might be beautiful, but it feels like a beautiful mask to me. Fragments are like the naturalness of children. Maybe that’s why I like fragments: because I can remain in childhood.
Writing is the process of removing the outer wrapping to dive into the inner pool. The words on the pages -- the tangible aspect of them -- become the bridges between inner and outer, seen and unseen. How else can I reveal the worlds and worlds (and depths within depths) that I perceive?
All my writing is a reflection of my core, bits of my core. All those bits...and as they fall onto the page, the puzzle automatically gets put together -- the way a plant gets put together just by being itself and growing day-by-day. Journals are the organic side of my essence, unfolding...
Who would I want to read my journal? An insightful, compassionate voyeur, perhaps. Or, maybe I'm secretly writing to/for the god I wish existed, the god I longed for during my childhood and teenage years... Or, I’m writing to that part of myself (and all of us) that can forgive. As if true and original writing makes forgiveness natural.